Q & A with Beth
1. Right off the bat, this book has a very intriguing title and cover; I just love the juxtaposition of an ostrich with "lost things," as ostriches strike me as so enormously noticeable that it's hard to imagine they could ever be lost. How did you come up with the idea of incorporating the whole concept of a traveling zoo into your book?
The idea for The Ostrich and Other Lost Things was born out of my own inexplicable ability to find things—and not rest until things are found. I'm not nearly so talented as Olivia, and my skills come from always and ever chasing down my kids' things (as is true for most moms), but there is a certain satisfaction that comes only with finding something lost. I took that line of thought down the rabbit hole and started asking questions and making lists. What if there were a girl who could find almost any lost thing—except for one thing? Or what if that thing (a toy ostrich) actually represented a person—her brother? What if he was more found than she believed or realized?
How do I take that idea and wrap it up in tangible concepts? I keep a running list of things that interest me or pique my curiosity and I started a page for this story. On it: zoos, Peter Pan, lost and found, disabilities, autism, tattoos, family bonds. I took my list and started looking for characters between the lines, and there I found Olivia, Jacob, Charlie, and all the rest.
2. Olivia and her brother are both such sympathetic characters, but in very different ways. As readers, we're torn because we see both of their predicaments-- Jacob's autism, and Olivia's desire to break free of the constraints that autism imposes-- but we also see their love for one another. What was it like for you to develop two characters who were very close, yet also at odds with one another?
Challenging. Emotional. Tricky? All of the above!
I think the very best relationships are riddled with dichotomy. We are drawn to the things we see in others that echo the things we know about ourselves—maybe even the secret things, or the things we fear. And conversely, we are repelled by those same things. Olivia fears what she thinks she knows about her brother, but she has this consuming desire to make life okay for him too—to protect him and shield him even though that's not her job. Jacob does the same for her, spending the entirety of the story trying to help his sister understand that he is more okay than she realizes.
And I think maybe we do that for one another all the time. Friendships, marriages, sibling relationships, lovers. We are looking for ourselves in the faces of the people we care about, afraid of what we'll find and knowing it's worth the look anyway. Acceptance—love-despite-it-all—is a soul-level craving. I wanted to give kids a framework for what that looks like, and I hope I drew a little picture of it (a healthy one and realistic one) in Olivia and her family.
3. Charlie serves as a voice of wisdom in the book, and has had his own difficulties that inform the advice he gives Olivia. What is your favorite thing that Olivia learns from Charlie?
Charlie was this wonderful surprise. He jumped off the page at me in full color and never left. He is everything I hope for in a friend and I'm so glad he came along for Olivia. My favorite thing that Charlie teaches Olivia is that she matters. Not for what she can do for others, but for who she is—right now walking around in the world. She is gold. Reflective. Bright. And she doesn't have to wear a mask or pretend to be anything other than she is. It's a lesson I wish I could go back and teach my younger self. But because I can't time travel (yet!) I'll try and tell those truths to my readers. Though, they're a smart crowd and probably know more about this stuff than I do.
4. As a parent, I was particularly moved by the scenes involving Olivia's parents struggling to meet both their children's needs. What are you hoping parents and children can come away from your book having learned or grappled with in regards to parent-child communication and relationships?
As a parent myself, yet still walking around with very strong memories of my own childhood, I felt like I was trying to straddle an impossible line writing this story. One foot in the past, one in the present.
I hope, more than anything, that parents and children can come away from Jacob and Olivia's story with a clear sense of The Love Anyway, that unconditional acceptance that should smolder and burn in families. That love that says, "You are enough, just as you are right now! And because I love you so much, I also dream beautiful things for you! But even if none of them ever materialize–or at least never materialize in the way I imagine, my love for you will never leave. It's Always and Anyway and Because Of and In Spite Of."
Thank you, Beth, for sharing your words and Olivia's beautiful story with us!
